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Home Β» Insider Album Review: Mad World! by Custodymusic

Insider Album Review: Mad World! by Custodymusic

The lyric β€œI know it’s so wrong, but I can’t close my eyes” speaks to the internal conflict many face when drawn to something they know isn’t good for them. Custodymusic’s delivery carries this vulnerability, making the words feel raw and relatable. The phrase “First it takes your light, then it takes your life” underscores the destructive nature of desireβ€”how it consumes one’s vitality before ultimately draining everything.

The instrumental arrangement complements the song’s emotional weight, with brooding synths and a minimalist beat. The subtlety of the production allows the lyrics to shine, while the sparse instrumentation mirrors the emptiness and tension woven through the narrative. “No Telling” is an unsettling opener that sets the stage for the rest of the album, pulling listeners into Custodymusic’s world of conflicting emotions and self-reflection.


“Too much on my mind got me mental” β€” this recurring line in Mental serves as both a confession and a mantra, encapsulating the overwhelming weight of thoughts and emotions that plague Custodymusic throughout the track. The repetitive nature of the lyrics adds to the feeling of being trapped in one’s head, unable to escape the mental turmoil that comes with constant overthinking and unresolved feelings. The phrase “Too much on my mind” is more than just a lyrical hook; it embodies the restless energy of someone spiraling under the pressure of their thoughts.

The line β€œShe says that was a fan, problems you won’t understand” hints at the artist’s sense of isolation and alienation. Custodymusic reflects on the disconnect between how others perceive him and the internal struggles he faces, creating a stark contrast between external expectations and internal chaos. The lack of desire to “make amends” further strengthens this emotional distance, emphasizing the artist’s focus on self-preservation and doing what he can to survive mentally, rather than seeking resolution or external approval.

Musically, Mental leans into an almost trance-like repetition, which mirrors the lyrics’ cyclical nature. The instrumental background, with its subtle synths and laid-back rhythm, provides a sense of space while still capturing the tension in Custodymusic’s vocal delivery. His performance is unrelenting, building in intensity as the song progresses, echoing the mounting pressure in his mind. This track is an introspective exploration of mental strain, a raw expression of struggling with one’s thoughts, and a powerful continuation of the themes introduced in Mad World!.


Be Some is a track fueled by defiance, self-assurance, and a healthy dose of skepticism toward societal norms and expectations. From the first line, “Still stuck in my old ways,” Custodymusic unapologetically acknowledges his unwillingness to change, embracing the notion of staying true to oneself regardless of external pressures. The repetitive “I could do this shit all day” echoes his commitment to his path, no matter the challenges or criticisms that come with it.

The lyrics “Lose some and win some” encapsulate the cyclical nature of life and the inevitability of both success and failure. The artist makes peace with the highs and lows, acknowledging that both are part of the journey, and that despite setbacks, he keeps moving forward. The line “Everybody wanna go be some, a lot of people don’t eat none” speaks to the desire for success and recognition, yet questions why people who aren’t even putting in the effort feel entitled to give advice or teach others.

The song takes a more personal turn with lines like “Had my chick home waiting, but I don’t even fucking need her,” highlighting the artist’s independence and focus on his path. There’s a sense of rejecting attachment and emotional dependency, signaling a break from past relationships or expectations. The reference to “your chick dick eater” and “how you ain’t see a cheater” injects a sense of betrayal and disillusionment, emphasizing his hardened stance on love and trust.

Musically, Be Some carries a confident swagger, with a laid-back, almost anthemic beat that supports the track’s themes of self-sufficiency and resilience. The smooth flow of the verses paired with the chant-like chorus creates an infectious rhythm that further drives the song’s message. Custodymusic’s delivery, both assertive and introspective, invites listeners to reflect on their relationships with societal pressures, love, and ambition.


Nobody dives deep into the themes of trust, isolation, and self-preservation. From the very first line, “I cannot trust nobody,” Custodymusic expresses a pervasive sense of skepticism and disillusionment with the people around him. The repeated refrain “I cannot trust nobody, ya” reinforces the emotional distance he maintains from others, driven by a fear of betrayal or disappointment. Similarly, the line “I cannot love nobody” hints at a heart hardened by past experiences, refusing to open up to others out of self-protection.

As the track progresses, Custodymusic elaborates on his desire for independence, stating that he doesn’t want to hurt anyone but also doesn’t want to be used or manipulated. His detachment is further emphasized in lines like “I gotta move, I gotta be somebody,” which speaks to his drive and need for self-advancement, free from the distractions and expectations of others.

The repeated refrain “I do not need nobody” echoes throughout the track, presenting a mindset of complete self-sufficiency, one that prioritizes personal ambition over relationships or external approval. Custodymusic’s focus on money and hunger β€” “Just wanna see money, Can’t you see I’m hungry?” β€” adds another layer to his sense of urgency, suggesting that he’s driven by survival and success rather than emotional connection.

In the verse β€œPeople be talking funny, I’m just gonna play a dummy,” the artist hints at the manipulation and deceit he perceives from others, deciding to play along rather than confront the superficiality of the world around him. The line “Stupid motherfuckers always tryna make assumptions” shows his frustration with judgment and misunderstanding, further reinforcing his desire to keep things to himself.

Musically, Nobody carries a heavy, contemplative tone, with dark, atmospheric beats that mirror the introspective and guarded nature of the lyrics. The track’s minimalist instrumentation serves as a backdrop for Custodymusic’s emotional detachment, allowing his words to remain at the forefront while also creating a mood of isolation.


In Legend in the Making, Custodymusic confidently steps into his narrative of self-assurance and ambition, laying down a bold declaration that he’s on the path to greatness. The line “Life is just a movie what you make it, I’m a legend in the making” sets the tone for the track, emphasizing his belief in creating his destiny and refusing to be shaped by others’ expectations or opinions. He’s fully aware of the power of his actions and words, embracing his rise while dismissing the influence of those who doubt him.

The lyric “Give a fuck ’bout what you take it for” highlights Custodymusic’s refusal to conform to others’ perceptions of his journey. His unbothered attitude toward external judgment is a recurring theme in the track, reinforcing his commitment to staying true to himself no matter what others think. The lines “I was always on my own don’t care who riding” and “Give a fuck about a hater, bitch I’m smiling” showcase his solitary mindset, where he’s not waiting for anyone’s approval but is confidently moving forward on his terms.

As the song unfolds, Custodymusic touches on moments of luxury and enjoyment, symbolized by “Shorty knocking on my door, I let her right in” and “Chauffeur pull up then a motherfucker slide in.” These moments represent the fruits of his success, but he remains grounded in his principles, as seen in the line “I don’t ever drink and drive, I call the ride in.” He values control and safety, both in his personal and professional life.

The verse “Winners get to pick and choose and losers never do” speaks to Custodymusic’s competitive spirit. He recognizes the disparity between those who succeed and those who fall behind, reinforcing his determination to stay in control of his fate. “I just stick to me” reinforces the theme of self-reliance β€” he’s not interested in imitating others (“I’m never tryna act like Bruce”) or losing himself in the process of success.

Musically, Legend in the Making is upbeat and filled with energy, capturing the artist’s confident, almost celebratory tone. The production, marked by dynamic beats and smooth transitions, mirrors Custodymusic’s progression from self-doubt to self-assurance. The repetitive chanting of “Making, I’m a legend in the making” acts as both a rallying cry and an anthem for personal victory, driving home the track’s central theme of perseverance and the pursuit of greatness.


In Secrets, Custodymusic paints a picture of love, betrayal, and the complexities of relationships, as the artist contemplates the delicate balance between ambition and personal connections. The opening lines “She asked me where I take it and I told her to the stars” set the tone for the track, offering a metaphor for Custodymusic’s lofty dreams and aspirations. He envisions his future as something grand, while simultaneously distancing himself from the people and relationships that might hinder his growth.

The line “Told me when you make it don’t forget ’bout who you are” highlights the importance of staying grounded despite the success, but Custodymusic hints at the idea that not everyone will be able to share in that success with him. He acknowledges that the woman he’s addressing may not be part of that future with “But she ain’t in the picture man I knew it from the start,” signaling an inevitable separation due to his shifting priorities. The phrase “oops I broke her heart” introduces the emotional fallout, painting Custodymusic as someone who may not be fully prepared for the consequences of his choices.

The track delves deeper into conflict with lines like “Now she tryna get at me, she wanna start a war” and “Problems that she causes she wanna be on board,” portraying the woman’s attempts to reconnect or disrupt his life. There’s a sense of regret and frustration, not just with the broken heart, but also with the emotional burden she brings. The repeated reference to “secrets that she keeping she don’t wanna tell the boy” suggests a sense of distrust and hidden motives, as the woman hides her true feelings and intentions.

Musically, Secrets carries a somber, reflective tone, underscored by mellow beats and haunting melodies that complement the emotional depth of the lyrics. The repetitive nature of the song, with its heavy focus on the word “secrets,” emphasizes the artist’s internal conflict, creating a mood of uncertainty and tension. The production mirrors the artist’s emotional journey, where success and personal relationships become tangled in a web of miscommunication, betrayal, and unspoken truths.


Close to You is an emotionally charged track where Custodymusic vulnerably expresses his inner conflict and deep desire for connection. The recurring plea, “Lord forgive me,” reveals the artist’s sense of guilt or emotional turmoil, setting the stage for a song that grapples with the complexities of love and self-doubt. From the first line, “I’m standing here, I’m tryna get close to you,” Custodymusic opens up about his longing to be closer to someone, but there’s an underlying uncertainty in his words β€” “But I don’t know what I’m supposed to do.” This creates a feeling of hesitation and vulnerability, as the artist is unsure of how to navigate this desire for closeness.

The lyric “A million miles I would walk for you, A million miles I would fight for you” underscores the depth of his devotion, showing a willingness to go to great lengths for the person he’s addressing. It highlights his determination, yet also points to the sacrifice and struggle inherent in trying to make meaningful connections. Custodymusic’s sense of purpose comes through strongly, but so does the emotional weight of his journey.

The lines “Just a man searching for the truth” and “And I really got nothing to lose” bring a sense of existential reflection to the song. He’s not just in search of love or validation but something deeper β€” an understanding of himself and his place in the world. His willingness to face the unknown (“nothing to lose”) gives him a sense of freedom, but it also implies that his search for meaning comes at a personal cost.

“Never care for what they say, never care for what they do” shows a moment of defiance against external pressures or judgment. Despite the artist’s emotional vulnerability, he refuses to be swayed by outside opinions. He stands firm in his pursuit of personal truth and connection, even if it means walking alone.

Musically, Close to You is hauntingly introspective, with soft, echoing melodies and a slow-paced beat that allows Custodymusic’s raw emotion to take center stage. The repetition of the lines “A million miles I would walk for you” and “I would fight for you” adds a sense of longing, enhancing the track’s reflective nature. The instrumental backdrop complements the artist’s vulnerability, creating a poignant atmosphere where the emotional tension between desire and self-doubt is fully realized.


In Faith, Custodymusic grapples with a life filled with inner turmoil, longing, and a sense of disconnection. The opening lines “And the man never had no faith” immediately set a tone of despair, as the artist reflects on his past struggles and lack of belief in himself or the world around him. The phrase “I can’t lie I ain’t ever have no peace” further emphasizes a life lived in restlessness and constant emotional unrest, unable to find solace despite his best efforts.

The chorus builds on this theme of unease: “Up all night I ain’t ever have no sleep,” suggesting that the artist has spent sleepless nights battling his thoughts, unable to escape the stress and pressure of his surroundings. His lyrics convey a sense of being trapped, caught in a cycle of turmoil that he can’t break.

As the song continues, Custodymusic paints a picture of his interaction with someone in the club, where he tells her to “sip slow” and tries to send a message, but struggles to connect. The lyrics “Tryna send me a message don’t get the memo, Sending her one back but she don’t get the lingo” reflect the breakdown in communication and the sense of isolation the artist feels, even when surrounded by people. This line underscores the theme of emotional distance, where no matter how hard he tries to engage, there’s a lack of understanding or true connection.

The line “Talking way too much she going off like ringtone” suggests a sense of frustration with superficial interactions and empty conversations. It’s a reflection of how people in his life are speaking without substance, further amplifying the artist’s feelings of loneliness.

“All that fucking he say she say, Acting like it’s easy” touches on the toxicity of gossip and judgment, which only adds to the artist’s sense of alienation. Custodymusic’s repeated refrain “Why you always teasing, Talking like you know me, But baby you don’t know me” further reveals his frustration with others who act as they understand him but truly don’t. It’s a cry for authenticity in a world full of fake personas.

The lyric “I was by my lonely, No one was there to hold me” further reinforces the isolation Custodymusic has felt throughout his life. Despite being surrounded by people, he feels emotionally detached, with no one offering him the support or understanding he craves.

Musically, Faith is built on a minimalist yet haunting instrumental, with a slower tempo that mirrors the artist’s contemplative state of mind. The haunting melodies and rhythmic beat add a layer of melancholy to the song, allowing Custodymusic’s vulnerable lyrics to take center stage. The repetitive nature of the chorus underscores his feelings of being trapped in an endless cycle of self-doubt, while the beat offers a sense of emotional intensity, echoing his internal conflict.

In Babylon, Custodymusic delves into themes of loyalty, disillusionment, and the harsh realities of the world. The song opens with a stark contrast between fleeting relationships and the artist’s unchanging stance: β€œBitches they come and they go but I stay.” This line suggests a sense of stability and self-assurance in an ever-changing world, where people often come and go without offering anything meaningful.

The following line, “Say that they love God but worship on Satan,” is a powerful critique of hypocrisy, pointing out the disconnect between people’s professed beliefs and their actions. Custodymusic presents a world where people claim one thing but live according to a very different set of values, creating a sense of moral ambiguity that is further explored in the track.

The artist then reflects on his journey, having been “on patiently waiting” for too long, highlighting the frustration of being in a state of limbo. The mention of β€œroutes from the pavement” and β€œroots from the basement” contrasts two paths in lifeβ€”one shaped by struggle and the other by the environment or upbringing. This imagery suggests that Custodymusic’s strength comes from hard-earned experiences, while others may be influenced by negative or toxic foundations.

The line “Then the worms enter his brain man” speaks to mental decay and the corrupting influence of negative thoughts, symbolizing how destructive influences can take root in the mind and alter one’s perception of the world. It serves as a metaphor for the gradual erosion of one’s mental state, especially under the weight of the harsh conditions described throughout the song.

The chorus continues with “Life is a movie, it’s just what you make it,” reinforcing the notion that one’s destiny is largely shaped by their actions, but “speaking the truth is forsaken,” which hints at how difficult it is to remain authentic in a world that often rewards deceit or silence. This line challenges the listener to think about the value of truth in an environment that seems to suppress it.

The lyric β€œDuck when they come when they shoot” introduces an element of danger and urgency, reflecting the artist’s constant vigilance and the precariousness of life. There’s an undercurrent of survival throughout the song, as Custodymusic grapples with trust issues and people who try to take from him without offering anything in return.

Musically, Babylon is built on a dark, brooding beat that complements the song’s intense, critical tone. The instrumentation reflects the song’s themes of tension and unease, enhancing the sense of discomfort that the artist feels in his surroundings. The song’s pacing and rhythm mirror the urgency and frustration expressed in the lyrics, providing an immersive experience that underscores the weight of Custodymusic’s reflections on his life and the world around him.

In Tyrant, Custodymusic comes out swinging with an intense declaration of his ambitions and the harsh realities of the world he’s navigating. The opening line, “I’m ’bout to come in the game like a Tyrant,” sets the tone for the song, showcasing his aggressive and confident approach to entering the music industry. The term “tyrant” suggests power, control, and a strong sense of dominance, as if Custodymusic is ready to conquer whatever comes his way.

The line “If you can’t see it then open your eyelids” speaks to the artist’s frustration with people who fail to recognize his potential or the bigger picture. It’s a call for awareness, urging listeners to pay attention to what’s going on around them. This theme of awakening continues with “For all the fallen a moment of silence,” which honors those who have been lost along the way, perhaps due to the pitfalls of the lifestyle Custodymusic is describing.

The song delves into the theme of materialism and the lengths people go to for success, as seen in the verse, “Heard he would do anything for a diamond.” This reflects how individuals can lose themselves in the pursuit of wealth and status, questioning whether it’s worth sacrificing one’s integrity or life for superficial gains.

The artist also challenges the notion of success and ambition with lines like “Look what they doing to staying on top, They say you cannot configure the plot, I gotta go configure the plot.” This suggests that the game is rigged or difficult to navigate, but Custodymusic is determined to rewrite the script, taking control of his fate and path.

In the chorus, Custodymusic confronts false assumptions about him with the line, “You don’t know me why you acting like you do,” pointing out the disconnect between how people perceive him and who he truly is. This idea of misunderstood identity is amplified by the question “What is the truth?”β€”a recurring theme throughout the song. He acknowledges the lack of honesty in the world, where people often act without seeking the truth or understanding the full picture.

The song also touches on the internal conflict between good and evil with “I seen the devil I know that it’s real,” emphasizing the temptation and struggles that come with fame, power, and personal desires. The artist acknowledges the dangers of selling one’s soul in exchange for material wealth, as reflected in the line “Could have chose one but decided on 2, Because selling your soul is worth buying a coup.”

The instrumental in Tyrant supports its intense energy, with a heavy beat and commanding flow that mirrors the forceful nature of the lyrics. The production is raw and unfiltered, allowing Custodymusic’s powerful words to take center stage. This track serves as both a declaration of intent and a reflection on the moral complexities of the path to success, confronting the contradictions within the pursuit of power and status.

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Axial
Axial
20 days ago

Can’t wait for Mad World!

Vicks
Vicks
17 days ago

Where can i find the link?

Roya
Roya
14 days ago

where to listen?

Yumi
Yumi
13 days ago

Babylon πŸ”₯πŸ”₯

Anne
Anne
10 days ago

Mad World is finally here! πŸ”₯πŸ”₯ Already obsessed!

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